Reed Tetzloff, described by Richard Goode as “a musician of great authority,” has been praised for his “richly communicative” performances (The Cincinnati Enquirer). He gained international recognition at the 15th Tchaikovsky Competition, where he was hailed as “the lyrical hero of the competition.” (Сноб Magazine). He has thrilled audiences around the world since his debut as a concert pianist in 2012.

He has performed in numerous European venues, including the Berlin Philharmonic, the Laeiszhalle in Hamburg, the Kunstpalast in Düsseldorf, the Allerheiligen Hofkirche in the Munich Residenz, the Rudolfinum in Prague, the Great Hall of the Moscow Conservatory, and the Place Flagey in Brussels. His frequent solo recitals in the United States have been heard across the country. In Asia, he has performed in major venues in China, and his 2023-2024 season includes a first tour of South Korea.

Born in Minneapolis, Reed Tetzloff first studied in that city with Paul Wirth. At the Mannes School in New York, he earned his bachelor’s and master’s degrees with Pavlina Dokovska. During his first year and a half of undergraduate studies at the Mannes School, he won the school’s two most prestigious awards: the concerto competition and the Nadia Reisenberg competition. He has won prizes at various international competitions, including the Tbilisi Piano Competition and the Cincinnati World Piano Competition.

Download press kit

General Management : Little Tribeca, agence@littletribeca.com

« Reed Tetzloff séduit dans le Concerto no.4 de Beethoven par une sonorité limpide, une profondeur sans affectation, une maitrise digitale jamais ostentatoire. »

Bertrand Boissard, Diapason, 2024

« C’est admirable, vivifiant et profond et l’on est impressionné par cet équilibre souverain et ce vent de fraicheur beinvenu jusque dans l’Empereur. »

Alain Lompech, Classica, 2024

Discography

Schumann
Master Performers

Concord
Master Performers

Programs 2025-2026

GRIFFES: The Pleasure Dome of Kubla Khan, Op. 8 (9’)
BEETHOVEN: Sonata no. 21 in C major, Op. 53, “Waldstein” (25’)
LISZT: Sonata in B minor, S. 178 (30’)

RAVEL: Menuet Antique (6’)
FAURÉ: Five Impromptus for Piano (18’) OR Ballade in F sharp major, Op. 19 (16’)
LASSER: Sonate pour piano, “Les Hiboux Blancs” (20’)

Interval

SCHUMANN: Carnaval, Op. 9 (32’) OR Sonata no. 1 in F sharp minor, Op. 11 (32’)

MOZART: Adagio in B minor, K. 540 (8’)
HAYDN: Fantasia-Capriccio in C major, Hob. XVII/4 (6’)
BEETHOVEN: Sonata no. 8 in C minor, Op. 13, “Pathétique” (20’)
BRAHMS: Sonata no. 3 in F minor, Op. 5 (37’)

BERG: Sonata, Op. 1 (12’) BRAHMS: 6 Klavierstücke, Op. 118 (25’)
SCHUBERT: Sonata in C minor, D. 958 (31’)

IVES: Sonata no. 2, “Concord, Mass., 1840-1860” (48’)
BEETHOVEN: Sonata no. 30 in E major, Op. 109 (18’)
BEETHOVEN: Sonata no. 31 in A flat major, Op. 110 (22’) (can remove Op. 109 if program is too long)

IVES: Sonata no. 2, “Concord, Mass., 1840-1860” (48’)
BEETHOVEN: Sonata no. 30 in E major, Op. 109 (18’)
BEETHOVEN: Sonata no. 31 in A flat major, Op. 110 (22’) (can remove Op. 109 if program is too long)

Avec quatuor Akilone
MOZART: Piano Concerto No. 20 K.466
MOZART: Quatuor K.156 en Sol majeur
MOZART: Piano Concerto No. 23 K.466

Concerts